Certificate in Electronic Music Synthesis — Certification Brochure

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London Academy of Professional Training
Certificate
Certificate in Electronic Music Synthesis
Foundation Level
REF: MU-EMP-F  •  Music and Performing Arts Centres  •  Electronic Music & Performance Tech
6Subjects 24Chapters 120Classes 440Total Marks 60%Pass Mark LifetimeValidity
At a Glance
ReferenceMU-EMP-F
AwardCertificate
Assessment440 marks — 264 to pass (60%)
PrerequisitesNone
ValidityLifetime
Awarding BodyLAPT — London Academy of Professional Training
Curriculum
1 Fundamentals of Electronic Sound 4 chapters · 20 classes  90 marks
• 1 Understanding Sound Waves and Their Characteristics — 5 classes
› 1.1 Exploring the Nature of Sound Waves
› 1.2 Analyzing Frequency and Pitch
› 1.3 Examining Amplitude and Volume
› 1.4 Investigating Waveforms and Timbre
› 1.5 Applying Sound Wave Characteristics in Synthesis
• 2 Fundamentals of Oscillators and Waveforms — 5 classes
› 2.1 Exploring Oscillator Types and Their Characteristics
› 2.2 Understanding Waveforms: Sine, Square, and Sawtooth
› 2.3 Analyzing Amplitude and Frequency Modulation Techniques
› 2.4 Creating and Manipulating Sound with Oscillator Detune
› 2.5 Applying Oscillators in Sound Design Projects
• 3 Introduction to Synthesizer Components and Signal Flow — 5 classes
› 3.1 Explore the Anatomy of a Synthesizer
› 3.2 Understand Oscillators and Waveform Generation
› 3.3 Examine Filters and Their Impact on Sound
› 3.4 Discover the Role of Amplifiers and Envelopes
› 3.5 Map the Signal Flow in a Synthesizer
• 4 Basic Sound Modulation Techniques — 5 classes
› 4.1 Explore the Fundamentals of Sound Modulation
› 4.2 Understand Amplitude Modulation Techniques
› 4.3 Dive into Frequency Modulation Fundamentals
› 4.4 Discover the Role of Phase Modulation in Sound Design
› 4.5 Apply Modulation Techniques in Electronic Music Production
2 Introduction to Synthesis Techniques 4 chapters · 20 classes  65 marks
• 1 Fundamentals of Sound and Waveforms — 5 classes
› 1.1 Exploring the Nature of Sound Waves
› 1.2 Identifying Waveform Characteristics
› 1.3 Understanding Frequency and Pitch
› 1.4 Analyzing Amplitude and Dynamics
› 1.5 Applying the Basics of Wave Synthesis
• 2 Oscillators and Sound Generation — 5 classes
› 2.1 Understanding Sound Waves and Oscillators
› 2.2 Exploring Types of Waveforms in Synthesis
› 2.3 Utilizing Frequency and Amplitude in Oscillators
› 2.4 Designing Sound with Subtractive Synthesis
› 2.5 Applying Modulation Techniques to Oscillators
• 3 Filters and Modulation Techniques — 5 classes
› 3.1 Understand Filter Types and Their Functions
› 3.2 Explore Low-Pass and High-Pass Filters in Synthesis
› 3.3 Apply Band-Pass and Band-Stop Filters to Sound Design
› 3.4 Discover Modulation Sources: LFOs and Envelopes
› 3.5 Integrate Filters and Modulation for Dynamic Sound Creation
• 4 Programming Synthesizers and Sound Design — 5 classes
› 4.1 Understanding Synthesizer Signal Flow
› 4.2 Exploring Oscillator Types and Waveforms
› 4.3 Shaping Sound with Filters and Envelopes
› 4.4 Modulating Sound using LFOs and EGs
› 4.5 Designing a Basic Synth Patch
3 Sound Design and Patch Creation 4 chapters · 20 classes  90 marks
• 1 Fundamental Principles of Sound Design — 5 classes
› 1.1 Understanding Waveforms: The Building Blocks of Sound
› 1.2 Exploring Frequency and Pitch in Sound Design
› 1.3 Shaping Sound: The Role of Amplitude and Volume
› 1.4 Harnessing Envelopes: Controlling Attack, Decay, Sustain, and Release
› 1.5 Creating Timbre: The Art of Using Filters and Modulation
• 2 Synthesizers and Signal Flow — 5 classes
› 2.1 Understanding Synthesizer Components and Their Functions
› 2.2 Exploring Signal Flow in a Synthesizer Circuit
› 2.3 Altering Oscillators to Shape Sound Waves
› 2.4 Modulating Filters and Envelopes for Dynamic Sound Control
› 2.5 Crafting Custom Patches with Synthesizer Signal Paths
• 3 Techniques for Patch Creation — 5 classes
› 3.1 Explore Basic Sound Waveforms
› 3.2 Understand Envelope Generators
› 3.3 Apply Modulation Techniques
› 3.4 Experiment with Filter Effects
› 3.5 Design a Unique Synth Patch
• 4 Advanced Modulation and Sound Transformation — 5 classes
› 4.1 Explore LFO Techniques for Dynamic Sound
› 4.2 Harness Envelopes for Complex Modulation
› 4.3 Utilize FM Synthesis for Timbre Variation
› 4.4 Implement Advanced Waveform Manipulation
› 4.5 Apply Modulation to Transformative Sound Design
4 Digital Audio Workstations (DAWs) 4 chapters · 20 classes  65 marks
• 1 Understanding Digital Audio Workstations — 5 classes
› 1.1 Exploring the DAW Interface: Navigating the Workspace
› 1.2 Understanding Tracks and Channels: Building the Foundation
› 1.3 Mastering MIDI and Audio Inputs: Capturing Sound
› 1.4 Applying Basic Editing Techniques: Shaping Your Sound
› 1.5 Exporting and Sharing Projects: Completing Your Digital Creation
• 2 Recording and Editing Audio — 5 classes
› 2.1 Understanding Audio Signal Pathways in DAWs
› 2.2 Setting Up and Configuring Your DAW for Recording
› 2.3 Capturing Clean Audio: Techniques and Best Practices
› 2.4 Editing Basics: Trimming, Splitting, and Arranging Audio Clips
› 2.5 Applying Effects and Enhancements to Recorded Audio
• 3 MIDI and Virtual Instruments — 5 classes
› 3.1 Understanding MIDI: Basics and Functionality
› 3.2 Navigating a DAW: Setting Up MIDI Devices
› 3.3 Exploring Virtual Instruments: Types and Uses
› 3.4 Editing MIDI Tracks: Techniques and Tools
› 3.5 Creating Music with Virtual Instruments: Practical Application
• 4 Mixing and Exporting in DAWs — 5 classes
› 4.1 Understanding the Mixing Console in DAWs
› 4.2 Balancing Levels and Panning in a Mix
› 4.3 Applying EQ and Compression Techniques
› 4.4 Utilizing Reverb and Delay Effects Creatively
› 4.5 Exporting Your Project: Settings and Best Practices
5 Performance Technology 4 chapters · 20 classes  65 marks
• 1 Understanding Electronic Music Performance Tools — 5 classes
› 1.1 Exploring Electronic Music Interfaces
› 1.2 Understanding MIDI and Its Role in Live Performance
› 1.3 Utilizing Synthesizers in a Performance Context
› 1.4 Integrating Effects and Processors for Live Sound
› 1.5 Configuring Digital Audio Workstations for Stage Use
• 2 Signal Flow and Audio Pathways — 5 classes
› 2.1 Understanding Signal Flow in Electronic Music
› 2.2 Exploring the Components of an Audio Pathway
› 2.3 Analyzing the Route of Sound from Input to Output
› 2.4 Configuring Signal Paths for Optimal Performance
› 2.5 Troubleshooting Common Signal Flow Issues
• 3 Optimizing Live Performance Setups — 5 classes
› 3.1 Understanding Key Components of Live Performance Setups
› 3.2 Configuring MIDI Controllers for Optimal Performance
› 3.3 Streamlining Software Setup for Live Environments
› 3.4 Managing Audio Interfaces and Signal Flow
› 3.5 Enhancing Live Performance with Effects and Automation
• 4 Integrating Visuals and Interactive Technologies — 5 classes
› 4.1 Exploring the Role of Visuals in Electronic Music Performance
› 4.2 Understanding Interactive Technologies in Live Performances
› 4.3 Integrating Visuals and Audio: Techniques and Tools
› 4.4 Designing Interactive Experiences for Audience Engagement
› 4.5 Creating a Cohesive Audio-Visual Performance
6 Creative Applications of Synthesis 4 chapters · 20 classes  65 marks
• 1 Exploring Basic Waveforms and Sound Properties — 5 classes
› 1.1 Understanding Basic Waveforms: Sine, Square, Sawtooth and Triangle
› 1.2 Exploring Sound Properties: Frequency, Amplitude, and Timbre
› 1.3 Comparing and Contrasting Waveforms: Visual and Auditory Analysis
› 1.4 Manipulating Waveforms: Simple Modulation Techniques
› 1.5 Applying Waveform Knowledge: Creating Basic Synth Patches
• 2 Introduction to Subtractive and Additive Synthesis — 5 classes
› 2.1 Exploring the Basics of Subtractive Synthesis
› 2.2 Understanding Waveforms and Harmonics in Additive Synthesis
› 2.3 Comparing Subtractive and Additive Synthesis Techniques
› 2.4 Crafting Sounds with Subtractive Filters and Envelopes
› 2.5 Building Complex Sounds Using Additive Layering
• 3 Using Modulation for Dynamic Sound Design — 5 classes
› 3.1 Understand the Basics of Modulation
› 3.2 Explore LFOs and their Impact on Sound
› 3.3 Apply Envelope Modulation for Dynamic Textures
› 3.4 Utilize FM Synthesis for Complex Modulations
› 3.5 Combine Modulation Techniques for Unique Sounds
• 4 Creative Applications of Sampling and Granular Synthesis — 5 classes
› 4.1 Exploring the Basics of Sampling
› 4.2 Understanding Granular Synthesis Techniques
› 4.3 Creating Texture with Layered Sounds
› 4.4 Manipulating Samples for Creative Effects
› 4.5 Applying Granular Synthesis to Music Production
LAPT — 85 Great Portland Street, W1W 7LT, London, United Kingdom
info@lapt.org  •  +44 7513 283044  •  lapt.org		 UKPRN 10067351  •  Company 4984798
Curriculum current at the date of issue.