Certificate in Music Production and Sound Design

About This Certification

A professional certification programme delivered through LAPT-accredited centres worldwide.

Course Curriculum

4 subjects • 67 chapters • 490 classes

Songwriting and Collaborative Composition

12 chapters • 100 marks

1 Song Forms and Structures 10 classes

1.1 What a Song Is Made Of

1.2 Verse, Chorus and Bridge

1.3 Intro, Outro and Pre-Chorus

1.4 Common Pop and Film Song Forms

1.5 Hook and Mukhda Antara Structure

1.6 Song Length and Radio Expectations

1.7 Analysing Songs by Form

1.8 Mapping a Song on a Timeline

1.9 Writing From a Form Template

1.10 Structure Practice Task

2 Melody Writing and Singable Lines 10 classes

2.1 Melody Shape and Contour

2.2 Range and Singability

2.3 Steps, Leaps and Repetition

2.4 Motifs and Phrases

2.5 Rhythm in Melody

2.6 Writing Melodies From Scales and Ragas

2.7 Hook Melody Techniques

2.8 Humming and Recording Melody Ideas

2.9 Melody Variation Across Sections

2.10 Melody Writing Workshop

3 Chords and Harmony for Songwriters 10 classes

3.1 Basic Triads and Keys

3.2 Common Chord Progressions

3.3 Primary Chords and Cadences

3.4 Minor Keys and Moods

3.5 Borrowed Chords and Colour

3.6 Chord Voicings on Guitar and Keys

3.7 Drone and Modal Harmony in Indian Styles

3.8 Matching Chords to Melody

3.9 Chord Charts and Notation

3.10 Harmony Writing Practice

4 Lyric Writing and Language 10 classes

4.1 Finding a Song Idea

4.2 Theme and Point of View

4.3 Imagery and Plain Language

4.4 Rhyme Schemes and Sound

4.5 Rhythm and Syllable Count

4.6 Writing in Hindi, English and Regional Languages

4.7 Avoiding Cliches

4.8 Editing and Rewriting Lyrics

4.9 Titles That Work

4.10 Lyric Writing Workshop

5 Rhythm, Groove and Tempo in Writing 10 classes

5.1 Tempo and Time Signatures

5.2 Groove Feel and Swing

5.3 Talas and Their Use in Songs

5.4 Drum Patterns for Writers

5.5 Syncopation and Space

5.6 Matching Rhythm to Lyric Delivery

5.7 Building a Beat Under a Song

5.8 Changing Feel Between Sections

5.9 Using Click and Loop Tools

5.10 Rhythm Writing Exercise

6 Writing With Technology and Demo Tools 10 classes

6.1 Setting Up a Home Songwriting Space

6.2 Using a DAW for Sketching Songs

6.3 Loop Libraries and Virtual Instruments

6.4 Recording Voice Memos

6.5 Basic Home Demo Recording

6.6 Writing With Virtual Band Tools

6.7 Using AI Tools Responsibly

6.8 Organising Song Files and Versions

6.9 Backing Up Songwriting Sessions

6.10 Demo Building Practice

7 Co-Writing and Collaboration Skills 10 classes

7.1 Why Writers Collaborate

7.2 Preparing for a Co-Writing Session

7.3 Roles in a Writing Room

7.4 Giving and Receiving Feedback

7.5 Resolving Creative Disagreements

7.6 Writing Remotely With Online Tools

7.7 Working With Producers and Beatmakers

7.8 Working With Lyricists and Composers

7.9 Collaboration Etiquette

7.10 Co-Writing Session Practice

8 Ownership, Splits and Writer Agreements 10 classes

8.1 Who Owns a Song

8.2 Copyright in Music and Lyrics Under Indian Law

8.3 Percentage Splits Between Writers

8.4 Written Split Sheets

8.5 Work for Hire Versus Shared Ownership

8.6 Recording Contributions in a Session

8.7 Crediting Writers Correctly

8.8 Handling Disputes Early

8.9 Basic Co-Writer Agreements

8.10 Split Sheet Practice

9 Arranging a Song From a Sketch 10 classes

9.1 Turning a Sketch Into a Full Song

9.2 Choosing Instruments for Each Section

9.3 Building Dynamics and Energy

9.4 Intros, Breaks and Transitions

9.5 Adding Counter Melodies

9.6 Backing Vocals and Harmony Parts

9.7 Reducing Arrangement Clutter

9.8 Arrangement for Different Moods

9.9 Preparing Lead Sheets and Charts

9.10 Arrangement Project

10 Songwriting for Film, Advertising and Special Uses 10 classes

10.1 Writing to a Brief

10.2 Writing for Film and Series

10.3 Songs for Jingles and Advertising

10.4 Songs for Devotional and Folk Audiences

10.5 Writing for Children and Education

10.6 Writing to Picture and Timing

10.7 Instrumental and Cue Writing

10.8 Working with Directors and Music Supervisors

10.9 Revisions on Deadline

10.10 Brief Based Writing Project

11 Registering, Protecting and Releasing Songs 10 classes

11.1 Copyright Registration Basics in India

11.2 Joining a Performing Rights Society

11.3 Role of IPRS and Authors Rights

11.4 Role of PPL for Recordings

11.5 Registering Works With Publishers

11.6 Keeping Dated Records of Writing

11.7 Safe Sharing of Demos

11.8 Pitching Songs to Artists and Labels

11.9 Releasing Songs as an Independent Writer

11.10 Registration Checklist Practice

12 Building a Songwriting Practice and Portfolio 10 classes

12.1 Daily Writing Habits

12.2 Handling Writer's Block

12.3 Finishing Songs on Schedule

12.4 Studying Songs You Admire

12.5 Building a Catalogue of Songs

12.6 Creating a Writer Profile and Reel

12.7 Performing Songs Live

12.8 Getting Feedback From Audiences

12.9 Setting Writing Goals

12.10 Final Songwriting Portfolio Project

Music Production and Arrangement

14 chapters • 100 marks

1 Digital Audio Workstation Mastery 6 classes

1.1 Navigating Your DAW Interface Efficiently

1.2 Organising and Managing Tracks for Optimal Workflow

1.3 Mastering MIDI and Audio Editing Techniques

1.4 Utilising Virtual Instruments and Plug-ins Creatively

1.5 Applying Advanced Mixing and Automation Strategies

1.6 Crafting a Professional Sound with Mastering Tools

2 Advanced Sound Design Techniques 6 classes

2.1 Exploring the Fundamentals of Sound Synthesis

2.2 Creating Textures Through Layering Techniques

2.3 Manipulating Timbre Using Advanced Filtering

2.4 Designing Unique Sounds with Modulation

2.5 Implementing Dynamic Soundscapes in Production

2.6 Applying Sonic Branding Techniques to Enhance Identity

3 Mixing Techniques for Professional Sound 6 classes

3.1 Understanding the Fundamentals of Audio Mixing

3.2 Analyzing Frequency Balancing Techniques

3.3 Mastering Dynamic Range Control

3.4 Exploring Spatial Effects for Depth and Width

3.5 Applying Advanced Automation Techniques

3.6 Refining the Mix for Professional Sound Quality

4 Mastering for Competitive Loudness and Clarity 6 classes

4.1 Understanding Loudness Metrics and Standards

4.2 Analyzing the Loudness War: Historical Context and Modern Practices

4.3 Exploring Tools for Loudness Measurement and Control

4.4 Techniques for Achieving Optimal Clarity in Mastering

4.5 Balancing Loudness and Dynamics: Strategies and Best Practices

4.6 Applying Final Mastering Techniques for Competitive Sound

5 Sonic Branding and Audio Identity Development 6 classes

5.1 Understanding Sonic Branding Concepts

5.2 Analyzing Successful Audio Identities

5.3 Exploring the Psychology of Sound in Branding

5.4 Developing a Unique Sonic Logo

5.5 Integrating Audio Elements into Brand Strategy

5.6 Evaluating and Refining Sonic Identity

6 Genre Study and Reference Track Analysis 10 classes

6.1 Listening Like a Producer

6.2 Tempo, Key and Feel of Major Genres

6.3 Bollywood, Hip Hop and Electronic Styles Compared

6.4 Breaking a Track Into Layers

6.5 Mapping Song Arrangements by Time

6.6 Analysing Drum and Bass Sounds

6.7 Choosing Reference Tracks for a Project

6.8 Matching Sound Palette to Genre

6.9 Listening Notes and Reference Boards

6.10 Genre Analysis Task

7 Pre-Production, Project Planning and Demo Building 10 classes

7.1 Starting From a Brief or an Idea

7.2 Choosing Tempo, Key and Mood

7.3 Planning a Production Timeline

7.4 Budgeting a Small Production

7.5 Building a Quick Demo Sketch

7.6 Choosing Collaborators and Session Players

7.7 Setting Up Templates for the Genre

7.8 Creating a Production Plan Document

7.9 Reviewing a Demo With the Artist

7.10 Pre-Production Practice

8 Beat Making and Drum Programming 10 classes

8.1 Building a Drum Pattern From Scratch

8.2 Kick, Snare and Hat Roles

8.3 Swing, Groove and Humanising

8.4 Layering Drum Sounds

8.5 Programming Fills and Variations

8.6 Using Percussion and Indian Rhythms

8.7 Trap, House and Pop Drum Patterns

8.8 Drum Machine and Sampler Workflows

8.9 Mixing Beats While Building Them

8.10 Beat Making Project

9 Bass Lines, Chords and Melodic Programming 10 classes

9.1 Writing Bass Lines That Support Drums

9.2 Sub Bass and Mid Bass Layers

9.3 Programming Chord Progressions

9.4 Voicing and Inversions in MIDI

9.5 Pads, Plucks and Leads

9.6 Arpeggiators and Step Sequencers

9.7 Counter Melodies and Hooks

9.8 Keeping Instruments in Key

9.9 Humanising MIDI Parts

9.10 Melodic Programming Task

10 Sampling, Loops and Clearance 10 classes

10.1 What Sampling Is and Why Producers Use It

10.2 Chopping Samples Into Pieces

10.3 Pitch and Time Manipulation of Samples

10.4 Using Loop Libraries Properly

10.5 Royalty Free Versus Cleared Samples

10.6 Clearing a Sample With Rights Holders in India

10.7 Credits and Split Agreements for Samples

10.8 Creating Original Samples From Recordings

10.9 Resampling and Layering

10.10 Sampling Project With Clearance Notes

11 Arrangement and Track Structure in Production 10 classes

11.1 Arrangement Sections and Energy Map

11.2 Introductions and Build Ups

11.3 Drops and Breakdowns

11.4 Transitions and Risers

11.5 Adding and Removing Layers

11.6 Variation to Avoid Repetition

11.7 Arrangement Length for Platforms

11.8 Using Silence and Space

11.9 Arrangement Reviews With Reference Tracks

11.10 Full Arrangement Project

12 Vocal Production and Topline Work 10 classes

12.1 Producing a Vocalist in the Studio

12.2 Vocal Tuning and Timing Choices

12.3 Layering Doubles and Harmonies

12.4 Ad Libs and Vocal Chops

12.5 Vocal Effects for Genre

12.6 Working With Rappers and Singers

12.7 Fitting Vocals Into a Beat

12.8 Mix Ready Vocal Stems

12.9 Handling Artist Confidence and Feedback

12.10 Vocal Production Project

13 Remixes, Edits and Alternate Versions 10 classes

13.1 What Remixes Are

13.2 Getting Permission for a Remix

13.3 Building a Remix From Stems

13.4 Radio Edit and Extended Mix

13.5 Club and Live Versions

13.6 Instrumental and A Cappella Versions

13.7 Mashups and Rights Issues

13.8 Preparing Remix Credits

13.9 Releasing Remixes Properly

13.10 Remix Project

14 Production Business and Releasing Your Work 10 classes

14.1 Producer Fees and Royalty Points

14.2 Production Agreements

14.3 Split Sheets and Credits

14.4 Registering Productions and Recordings

14.5 Protecting Your Beats and Files

14.6 Selling Beats Online

14.7 Working With Labels and Artists

14.8 Preparing Final Files for Mix and Master

14.9 Building a Producer Portfolio

14.10 Release Planning Practice

Sound Design and Synthesis

25 chapters • 100 marks

1 The Basics of Sound Waves and Acoustics 5 classes

1.1 Understanding Sound Waves: Fundamentals and Characteristics

1.2 Exploring Frequency and Amplitude: Key Sound Properties

1.3 Analyzing Waveforms: Shapes and Their Impact on Sound

1.4 Discovering Acoustics: How Sound Interacts with Environments

1.5 Applying Acoustic Principles: Real-World Sound Design Techniques

2 Sound Synthesis and Signal Processing 5 classes

2.1 Understanding Basic Waveforms in Sound Synthesis

2.2 Exploring Oscillators and Their Role in Sound Design

2.3 Manipulating Sound with Filters and Envelope Generators

2.4 Analyzing Signal Processing Techniques for Audio Effects

2.5 Applying Synthesis Techniques in Sound Design Projects

3 Designing Soundscapes: Tools and Techniques 5 classes

3.1 Exploring the Basics of Soundscapes

3.2 Identifying Key Elements in Sound Design

3.3 Utilizing Digital Tools for Sound Manipulation

3.4 Creating Atmosphere with Layering Techniques

3.5 Applying Soundscaping Techniques in a Project

4 Advanced Sound Design: Creative Application 5 classes

4.1 Exploring Advanced Audio Effects for Sound Design

4.2 Designing Unique Soundscapes for Immersive Experiences

4.3 Manipulating Sound with Creative Modulation Techniques

4.4 Integrating Foley and Synthesized Elements

4.5 Crafting Emotion Through Dynamic Soundscapes

1 Understanding Sound Fundamentals 6 classes

1.1 Exploring Sound Waves and Their Properties

1.2 Analyzing Frequency and Pitch

1.3 Understanding Amplitude and Dynamics

1.4 Investigating the Nature of Timbre

1.5 Examining the Role of Acoustic Environments

1.6 Applying Sound Fundamentals in Creative Production

2 Exploring Synthesis Techniques 6 classes

2.1 Understanding the Basics of Synthesis

2.2 Exploring Subtractive Synthesis Techniques

2.3 Discovering Additive Synthesis Methods

2.4 Harnessing FM Synthesis for Sound Creation

2.5 Implementing Wavetable Synthesis in Projects

2.6 Designing Sounds through Advanced Synthesis Techniques

3 Utilizing Digital Signal Processing 6 classes

3.1 Exploring the Essentials of Digital Signal Processing

3.2 Understanding Digital Signal Chain and Workflow

3.3 Applying EQ Techniques to Shape Sound

3.4 Utilizing Compression for Dynamic Control

3.5 Implementing Reverb and Delay for Spatial Effects

3.6 Leveraging Advanced DSP for Creative Sound Design

4 Advanced Sound Manipulation 6 classes

4.1 Exploring Advanced Modulation Techniques

4.2 Harnessing the Power of Granular Synthesis

4.3 Sculpting Sound with Dynamic EQ

4.4 Utilizing Time-Based Effects for Transformation

4.5 Integrating Field Recordings into Projects

4.6 Applying Creative Layering in Sound Design

5 Creative Sound Design Applications 6 classes

5.1 Exploring Sound Synthesis Techniques

5.2 Manipulating Audio with Effects Processors

5.3 Designing Unique Soundscapes

5.4 Implementing Foley and Field Recording Techniques

5.5 Integrating Sound Design in Multimedia Projects

5.6 Innovating with Hybrid Sound Design Approaches

1 Understanding Sound Waves and Their Characteristics 5 classes

1.1 Exploring the Nature of Sound Waves

1.2 Analyzing Frequency and Pitch

1.3 Examining Amplitude and Volume

1.4 Investigating Waveforms and Timbre

1.5 Applying Sound Wave Characteristics in Synthesis

2 Fundamentals of Oscillators and Waveforms 5 classes

2.1 Exploring Oscillator Types and Their Characteristics

2.2 Understanding Waveforms: Sine, Square, and Sawtooth

2.3 Analyzing Amplitude and Frequency Modulation Techniques

2.4 Creating and Manipulating Sound with Oscillator Detune

2.5 Applying Oscillators in Sound Design Projects

3 Introduction to Synthesizer Components and Signal Flow 5 classes

3.1 Explore the Anatomy of a Synthesizer

3.2 Understand Oscillators and Waveform Generation

3.3 Examine Filters and Their Impact on Sound

3.4 Discover the Role of Amplifiers and Envelopes

3.5 Map the Signal Flow in a Synthesizer

4 Basic Sound Modulation Techniques 5 classes

4.1 Explore the Fundamentals of Sound Modulation

4.2 Understand Amplitude Modulation Techniques

4.3 Dive into Frequency Modulation Fundamentals

4.4 Discover the Role of Phase Modulation in Sound Design

4.5 Apply Modulation Techniques in Electronic Music Production

1 Fundamentals of Sound and Waveforms 5 classes

1.1 Exploring the Nature of Sound Waves

1.2 Identifying Waveform Characteristics

1.3 Understanding Frequency and Pitch

1.4 Analyzing Amplitude and Dynamics

1.5 Applying the Basics of Wave Synthesis

2 Oscillators and Sound Generation 5 classes

2.1 Understanding Sound Waves and Oscillators

2.2 Exploring Types of Waveforms in Synthesis

2.3 Utilizing Frequency and Amplitude in Oscillators

2.4 Designing Sound with Subtractive Synthesis

2.5 Applying Modulation Techniques to Oscillators

3 Filters and Modulation Techniques 5 classes

3.1 Understand Filter Types and Their Functions

3.2 Explore Low-Pass and High-Pass Filters in Synthesis

3.3 Apply Band-Pass and Band-Stop Filters to Sound Design

3.4 Discover Modulation Sources: LFOs and Envelopes

3.5 Integrate Filters and Modulation for Dynamic Sound Creation

4 Programming Synthesizers and Sound Design 5 classes

4.1 Understanding Synthesizer Signal Flow

4.2 Exploring Oscillator Types and Waveforms

4.3 Shaping Sound with Filters and Envelopes

4.4 Modulating Sound using LFOs and EGs

4.5 Designing a Basic Synth Patch

1 Fundamental Principles of Sound Design 5 classes

1.1 Understanding Waveforms: The Building Blocks of Sound

1.2 Exploring Frequency and Pitch in Sound Design

1.3 Shaping Sound: The Role of Amplitude and Volume

1.4 Harnessing Envelopes: Controlling Attack, Decay, Sustain, and Release

1.5 Creating Timbre: The Art of Using Filters and Modulation

2 Synthesizers and Signal Flow 5 classes

2.1 Understanding Synthesizer Components and Their Functions

2.2 Exploring Signal Flow in a Synthesizer Circuit

2.3 Altering Oscillators to Shape Sound Waves

2.4 Modulating Filters and Envelopes for Dynamic Sound Control

2.5 Crafting Custom Patches with Synthesizer Signal Paths

3 Techniques for Patch Creation 5 classes

3.1 Explore Basic Sound Waveforms

3.2 Understand Envelope Generators

3.3 Apply Modulation Techniques

3.4 Experiment with Filter Effects

3.5 Design a Unique Synth Patch

4 Advanced Modulation and Sound Transformation 5 classes

4.1 Explore LFO Techniques for Dynamic Sound

4.2 Harness Envelopes for Complex Modulation

4.3 Utilize FM Synthesis for Timbre Variation

4.4 Implement Advanced Waveform Manipulation

4.5 Apply Modulation to Transformative Sound Design

1 Exploring Basic Waveforms and Sound Properties 5 classes

1.1 Understanding Basic Waveforms: Sine, Square, Sawtooth and Triangle

1.2 Exploring Sound Properties: Frequency, Amplitude, and Timbre

1.3 Comparing and Contrasting Waveforms: Visual and Auditory Analysis

1.4 Manipulating Waveforms: Simple Modulation Techniques

1.5 Applying Waveform Knowledge: Creating Basic Synth Patches

2 Introduction to Subtractive and Additive Synthesis 5 classes

2.1 Exploring the Basics of Subtractive Synthesis

2.2 Understanding Waveforms and Harmonics in Additive Synthesis

2.3 Comparing Subtractive and Additive Synthesis Techniques

2.4 Crafting Sounds with Subtractive Filters and Envelopes

2.5 Building Complex Sounds Using Additive Layering

3 Using Modulation for Dynamic Sound Design 5 classes

3.1 Understand the Basics of Modulation

3.2 Explore LFOs and their Impact on Sound

3.3 Apply Envelope Modulation for Dynamic Textures

3.4 Utilize FM Synthesis for Complex Modulations

3.5 Combine Modulation Techniques for Unique Sounds

4 Creative Applications of Sampling and Granular Synthesis 5 classes

4.1 Exploring the Basics of Sampling

4.2 Understanding Granular Synthesis Techniques

4.3 Creating Texture with Layered Sounds

4.4 Manipulating Samples for Creative Effects

4.5 Applying Granular Synthesis to Music Production

Audio for Media and Sonic Branding

16 chapters • 100 marks

1 Understanding Audio in Media Contexts 6 classes

1.1 Exploring the Role of Audio in Multimedia Environments

1.2 Analyzing Sonic Elements Across Different Media Platforms

1.3 Identifying Key Audio Techniques for Enhanced Storytelling

1.4 Understanding the Impact of Sound on Audience Perception

1.5 Implementing Audio Design Principles in Media Projects

1.6 Evaluating the Effectiveness of Audio Choices in Media

2 Techniques and Tools of Sound Design 6 classes

2.1 Understanding Sound Design Principles

2.2 Exploring Audio Tools and Workstations

2.3 Crafting Soundscapes: Layering Techniques

2.4 Manipulating Audio: Effects and Modulation

2.5 Implementing Sound in Media Contexts

2.6 Evaluating Sound Design through Case Studies

3 Music Composition for Media 6 classes

3.1 Exploring the Basics of Music Composition for Media

3.2 Understanding Music Narratives and Storytelling

3.3 Analyzing Genre-Specific Composition Techniques

3.4 Crafting Melodies and Harmonies for Visuals

3.5 Integrating Sound Design with Composition

3.6 Applying Compositional Concepts in Media Projects

4 Mixing and Mastering for Media Projects 6 classes

4.1 Exploring the Basics of Mixing for Media

4.2 Understanding EQ and Its Role in Media Projects

4.3 Utilizing Compression Techniques for Balanced Sound

4.4 Crafting Soundscapes with Reverb and Delay

4.5 Mastering Audio for Consistent Media Delivery

4.6 Analyzing and Applying Sonic Branding in Mixes

5 Sonic Branding and Audio Identity 6 classes

5.1 Understand the Basics of Sonic Branding

5.2 Explore Key Elements of Audio Identity

5.3 Analyze Successful Case Studies in Sonic Branding

5.4 Develop Unique Audio Signatures for Brands

5.5 Implement Audio Branding Strategies Across Media

5.6 Evaluate the Impact of Sonic Branding on Brand Perception

1 Understanding Sonic Branding Fundamentals 6 classes

1.1 Exploring the Concept of Sonic Branding

1.2 Identifying Key Elements of Sonic Identity

1.3 Analyzing Successful Sonic Branding Examples

1.4 Differentiating Sonic Branding from Traditional Branding

1.5 Examining the Impact of Sonic Branding on Consumer Perception

1.6 Developing Strategies to Implement Effective Sonic Branding

2 Analyzing Iconic Sonic Branding Case Studies 6 classes

2.1 Understanding Sonic Brand Identity

2.2 Exploring Successful Audio Logos

2.3 Analyzing Case Study: McDonald's 'I'm Lovin' It'

2.4 Examining Case Study: Intel's Sonic Signature

2.5 Unpacking Case Study: Coca-Cola's Audio Branding

2.6 Discussing Lessons from Iconic Sonic Branding Strategies

3 Designing a Sonic Identity 6 classes

3.1 Understanding Sonic Branding Concepts

3.2 Analyzing Successful Sonic Identities

3.3 Identifying Key Elements of Sonic Identity

3.4 Crafting a Unique Sonic Logo

3.5 Integrating Sonic Identity Across Platforms

3.6 Evaluating and Refining Sonic Identity

4 Technical Aspects of Sound Production in Branding 6 classes

4.1 Understanding the Role of Sound in Branding

4.2 Analyzing the Elements of Sound Design

4.3 Exploring Audio Logo Creation Techniques

4.4 Crafting Consistent Brand Auditory Identity

4.5 Integrating Sonic Elements with Visual Media

4.6 Evaluating the Impact of Sonic Branding Strategies

5 Implementing and Evaluating Sonic Branding Strategies 6 classes

5.1 Understanding the Fundamentals of Sonic Branding

5.2 Analyzing Successful Sonic Branding Case Studies

5.3 Designing a Sonic Strategy Tailored to Brand Identity

5.4 Implementing Sonic Elements Across Multiple Channels

5.5 Measuring the Impact of Sonic Branding on Consumer Engagement

5.6 Refining Sonic Branding Strategies Based on Feedback and Data

11 Spotting Sessions and Sound to Picture Workflow 10 classes

11.1 Reading a Script and Edit

11.2 Spotting Music and Effects Cues

11.3 Timecode, Frame Rates and Sync

11.4 Working With Picture Files in a DAW

11.5 Setting Up a Video Session

11.6 Locking Audio to Picture

11.7 Spotting Notes and Cue Lists

11.8 Working With Directors and Editors

11.9 Handling Picture Changes and Conforms

11.10 Spotting Practice on a Short Clip

12 Dialogue Recording, ADR and Dialogue Editing 10 classes

12.1 Capturing Location Dialogue Basics

12.2 Boom and Lavalier Microphone Use

12.3 Dialogue Cleaning and Levelling

12.4 Matching Room Tone

12.5 Planning an ADR Session

12.6 Recording ADR in Sync

12.7 Directing Actors in ADR

12.8 Lip Sync Editing

12.9 Dialogue Premixes

12.10 Dialogue Editing Project

13 Sound Effects, Foley and Ambience 10 classes

13.1 Building Sound Effects Libraries

13.2 Recording Original Effects

13.3 Foley Footsteps and Props

13.4 Recording Foley to Picture

13.5 Layering Effects for Impact

13.6 Ambience and Atmosphere Beds

13.7 Designing Impacts and Whooshes

13.8 Editing Effects to Picture

13.9 Effects Premix Techniques

13.10 Effects Design Project

14 Jingles, Adverts and Brand Audio 10 classes

14.1 Reading an Advertising Brief

14.2 Writing Short Memorable Melodies

14.3 Timing Music to 10, 20 and 30 Seconds

14.4 Voiceover Recording for Adverts

14.5 Matching Voice and Music Levels

14.6 Radio and Digital Ad Specifications

14.7 Cut Downs and Alternate Lengths

14.8 Pitching Ideas to Agencies

14.9 Revisions Under Tight Deadlines

14.10 Jingle Production Project

15 Final Mix, Stems and Media Delivery 10 classes

15.1 Premix and Final Mix Workflow

15.2 Stereo and Surround Delivery Basics

15.3 Loudness Standards for Broadcast and Streaming

15.4 Creating Dialogue, Music and Effects Stems

15.5 Printing Masters and Alternates

15.6 Fixing Delivery Rejections

15.7 Quality Control Listening Checks

15.8 Naming and Archiving Media Deliverables

15.9 Delivering Finished Sound to Image

15.10 Delivery Package Practice

16 Cue Sheets, Licensing and Rights for Media Music 10 classes

16.1 What a Cue Sheet Contains

16.2 Completing a Cue Sheet Correctly

16.3 Sync Licences and Master Licences

16.4 Using Library Music Legally

16.5 Performing Rights Collection in India Through IPRS

16.6 Recording Rights and PPL Basics

16.7 Clearing Music for Film and Advertising

16.8 Credits and Contracts for Composers

16.9 Protecting Your Media Music Income

16.10 Cue Sheet Practice

Certificate in Music Production and Sound Design

MUS-C03
400 total marks
Music and Performing Arts Centres

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Certificate in Music Production and Sound Design

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Certificate in Music Production and Sound Design

About This Certification

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